Apple Logic Express 7 Informations techniques télécharger pdf (Page 135)

Chapter 19 EXSP24 13 5

A Brief History of Sampling

The idea of an instrument that could change its sound at any time, and that could

imitate any other instrument, dates back centuries. By the 15th century, organ builders

had managed to simulate violins, flutes, trumpets, and even human-like sounds with

their instruments. Some years later, organs were perfected that could imitate birdsong.

Following the inception of film sound, several instruments were built that used film for

the storage and playback of sound. Motion picture sound was based on the concept of

recording sound onto the film itself as a separate track. Changes in brightness were

read via an opto-electrical mechanism, and sound was replayed. This meant that sound

was transferred to light and graphics in the widest sense. Creative musicians of the

time began to scratch these films manually, to draw waves on them, and to film

gearwheels and other things in order to produce interesting sounds from these

images.

The immediate next of kin to today’s samplers, however, was the Mellotron. This was a

very bulky keyboard instrument that used a separate tape recording of an acoustic

instrument for each and every key. Pressing a key started the playback of the

corresponding tape; after releasing the key, the tape was drawn back by a spring. Due

to the very complicated electro-mechanical mechanism used by the Mellotron, it was a

very heavy and frequently unreliable keyboard instrument.

Compared to this, the first digital samplers at the beginning of the eighties seemed

ultra-modern, but from today’s point of view they did not offer much for their five or six

digit price tag: a few seconds of sampling time, and sound quality that is surpassed by

today’s speaking toys. Nevertheless, early samplers like the Fairlight CMI and E-mu’s

Emulator are considered legendary. They had a great impact on music and on the

development of electronic musical instruments in the following years.

Nowadays, hardware samplers all sound good and are comparatively affordable.

However, this is not the end of development for samplers. With computers getting

faster and faster, it is now possible to build a fully-fledged sampler entirely in software,

making hardware samplers unnecessary. Your EXSP24 is proof of this…

1 2 ... 130 131 132 133 134 135 136 137 138 139 140 ... 166 167

Pas de commentaire

Apple Logic Express 7 Informations techniques Page 135