Apple Motion 2 Getting Started Manuel d'utilisateur Page 76
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- MARQUE LIVRES
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76 Chapter 2 The Playground
When the Edge Collision behavior is applied to a group, and the Affect Objects
parameter is disabled, the entire grouped is “bounced” off the bottom of the screen at
the anchor point of the group.
3 In the Edge Collision Dashboard (or Inspector), turn on Affect Objects.
Note: The Edge Collision behavior also includes edge controls for turning on and off
the edge of the screen with which an object collides. By default, an object is deflected
from all edges of the screen.
When the Edge Collision behavior is applied to a
group and Affect Objects is turned off, the layer
(group) bounces at the edge of the screen at its
anchor point.
Affect Objects
2505.book Page 76 Wednesday, June 30, 2004 5:58 PM
- Getting Started 1
- Contents 3
- Orientation 5
- 6 Chapter 1 6
- Orientation 6
- About Motion 7
- The Motion Interface 10
- Orientation 11
- Chapter 1 11
- The Utility Window 12
- The File Browser 12
- Chapter 1 Orientation 13 13
- 14 Chapter 1 Orientation 14
- Dynamic Guides 15
- 16 Chapter 1 Orientation 16
- The Canvas 17
- The Toolbar 18
- Chapter 1 Orientation 19 19
- The Transport Controls 20
- Chapter 1 Orientation 21 21
- 22 Chapter 1 Orientation 22
- The Mini-Timeline 23
- The Library 24
- Chapter 1 Orientation 25 25
- Chapter 1 Orientation 27 27
- 28 Chapter 1 Orientation 28
- Chapter 1 Orientation 29 29
- 30 Chapter 1 Orientation 30
- Motion Dashboards 31
- 32 Chapter 1 Orientation 32
- Chapter 1 Orientation 33 33
- The Inspector 34
- Parameter Basics 34
- Chapter 1 Orientation 35 35
- 36 Chapter 1 Orientation 36
- Chapter 1 Orientation 37 37
- 38 Chapter 1 Orientation 38
- Chapter 1 Orientation 39 39
- 40 Chapter 1 Orientation 40
- Chapter 1 Orientation 41 41
- 42 Chapter 1 Orientation 42
- The Project Pane 43
- 44 Chapter 1 Orientation 44
- Using the Layers Tab 45
- Compositing Basics 45
- 46 Chapter 1 Orientation 46
- Chapter 1 Orientation 47 47
- Selecting and Nudging Objects 48
- Chapter 1 Orientation 49 49
- 50 Chapter 1 Orientation 50
- Chapter 1 Orientation 51 51
- 52 Chapter 1 Orientation 52
- Chapter 1 Orientation 53 53
- 54 Chapter 1 Orientation 54
- Chapter 1 Orientation 55 55
- 56 Chapter 1 Orientation 56
- Chapter 1 Orientation 57 57
- 58 Chapter 1 Orientation 58
- Chapter 1 Orientation 59 59
- The Playground 61
- Applying Behaviors 64
- Add Behavior icon 65
- Timing icon 69
- Affect Objects 76
- Using Parameter Behaviors 84
- Behaviors vs. Keyframes 84
- Behavior icon 90
- Working With Filters 91
- Your No. 2 Pencil 95
- The Timeline Layer List 96
- The Timeline 97
- Using Keyframes in Motion 103
- Current Frame field 104
- Using Animation Paths 106
- Using the Keyframe Editor 108
- Keyframe Interpolation Basics 108
- Show pop-up menu 109
- Selected keyframe 110
- Keyframe can be 111
- Added keyframe 111
- Checking Your Selection 112
- Keyframing in the Dashboard 113
- Keyframing in the Inspector 114
- Keyframing Filters 116
- Original image 117
- Arts and Letters 121
- Adding Text 122
- Modifying Text 124
- Text Editor 125
- Editing Text Style 126
- Gradient Library 127
- • Click a gradient color tag 128
- Applying Text Behaviors 129
- Add Behavior button 130
- Alignment pop-up menu 131
- Sequence Control group 136
- Add or Remove parameters 136
- Selection indicators 138
- Creating Particles 139
- Particle Systems 140
- • Press E 143
- Emission Range 146
- Drag the arrow to adjust the 147
- Emission Angle and the Speed 147
- Extra Credit 149
- 150 Chapter 5 Extra Credit 150
- Chapter 5 Extra Credit 151 151
- 152 Chapter 5 Extra Credit 152
- Chapter 5 Extra Credit 153 153
- Masking Layers and Objects 154
- Chapter 5 Extra Credit 155 155
- 156 Chapter 5 Extra Credit 156
- Chapter 5 Extra Credit 157 157
- 158 Chapter 5 Extra Credit 158
- Chapter 5 Extra Credit 159 159
- 160 Chapter 5 Extra Credit 160
- Chapter 5 Extra Credit 161 161
- • Invert the mask 162
- Audio Tab 163
- Audio Editor 164
- Chapter 5 Extra Credit 165 165
- 166 Chapter 5 Extra Credit 166
- Chapter 5 Extra Credit 167 167
- Learning More About Motion 168
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