Apple iMovie HD Manuel d'utilisateur Page 32

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For animators, patience isn’t a virtue
it’s a must. Move objects slowly and
graduallyjust a fraction of an inch
between frames. And whatever you do,
don’t bump your tripod between frames.
To save time, try shooting two frames,
instead of just one, between each move.
Animators call this animating on twos
,
and it takes half the time but usually
delivers fine results.
Kids in motion. For a variation on the
previous theme, animate some kids:
point the camera at the backyard, and
have the kids take a small step between
each frame. In the final movie, they’ll
appear to move without walking.
Time for time-lapse. Making time-
lapse movies is much easier, since your
subject does the moving on its own. All
you have to do is set up your scene and
start capturing.
In iMovie HD, choose Time Lapse from
the camera icon’s popup menu, choose
an interval, and click OK. Then click
Import to start recording (see page 226).
What to shoot? A snowstorm, a rose,
the clouds, a burning candle, a glass
filled with ice, the shadows cast by a
fence or set of window blinds. Anything
that moves or changes shape slowly in
the real world is a great candidate for
time-lapse photography.
Sunsets and sunrises make spectacular
time-lapse movies. To avoid damaging
your camera, don’t zoom in on the sun or
point the camera directly at a midday sun.
How frequently should you capture a
frame? That depends on how quickly your
subject is changing and on how long you
want your final clip to be. For a time-lapse
of a rose blooming, I used a one-minute
interval, which turned an hour of real time
into one second of video. For some cloud
scenes, I used a 15-second interval.
To calculate the ideal frame interval,
begin by determining the duration of the
real event, the desired duration of your
final clip, and the number of frames
per second you want the final clip to
have (20 frames per second is a good
starting point). Say a rose bud takes
four hours to blossom, and you want
the time-lapse clip to play for nine sec
-
onds. Multiplying nine seconds by 20
frames per second yields 180 frames.
Finally, divide the duration of the real
event by the number of frames you need.
In this example, 240 minutes divided by
180 frames equals about 1.3 minutes—
or about 80 seconds between frames.
Post-Production
After creating an animation, enhance it.
Make a montage. When researching
animation and time-lapse techniques, I
shot a variety of time-lapse scenes,
then edited them into a montage.
After shooting the clips and importing
them into iMovie HD, I added a music
track. I’ve always loved Koyaanisqatsi, a
film comprised largely of beautiful time-
lapse photography; its Philip Glass music
score is a perfect complement to time-
lapse scenes. A quick search of the
iTunes Music Store led to the soundtrack
album, and 99 cents later, I had my
soundtrack. (Remember, you can’t use
copyrighted work in commercial projects.)
Next, I imported my time-lapse movies
into iMovie HD and added them to the
timeline, cropping each clip so that the
scenes would change roughly in tempo
with the music. Then I added a cross-
dissolve transition between the scenes.
Run it backwards. To put a different
spin on a time-lapse clip, reverse it: see
a rose close itself or a glass of water turn
into a glass of ice. After adding the clip
to iMovie HD’s timeline, select it and use
the Fast/Slow/Reverse effect.
Our minds are mesmerized by animation,
whether it’s a time-lapse movie of a brew
-
ing storm, some claymation that brings
Play-Doh to life, or the hand-drawn art
-
istry of a classic cartoon.
With some inexpensive software and a
video camera, you can put your world into
motion. The process is simple, if time con
-
suming. For animation, shoot one frame of
video at a time, moving objects or chang
-
ing a drawing between each frame. Time-
lapse movies are easier: point your camera
at an interesting scene, then go to the mall
while your software snaps a frame at what
-
ever interval you like. When you play your
final movie, clouds will billow, and flowers
will bloom—you get the idea.
A time-lapse or animation project can
be a fun school or family endeavor. Here’s
a look at the tools you’ll need, along with
some tips and project ideas.
Creating Time-lapse Movies and Animation
The Tools
To put your world in motion, you need a camera, a tri-
pod, and some software. To get the best video quality,
connect a miniDV camcorder to your Mac’s FireWire
jack. If you don’t have a camcorder, an inexpensive
Web cam, such as Apple’s iSight, will also work.
iMovie HD 6 can create time-lapse movies, as can
several other programs. Boinx Software’s iStopMotion
was designed specifically for the task. It works with
DV cameras as well as Web cams.
You can also use Web-cam software, such as
Evological’s EvoCam or Econ Technologies
ImageCaster. For links to these and other animation
tools, see www.macilife.com/imovie.
The Techniques
Prepare your gear. Mount your camera on a tripod and
plug the camera’s power adapter into a wall outlet—
batteries won’t last long enough.
Many DV camcorders shut themselves off after a few
minutes when you aren’t recording to tape. You can usu
-
ally bypass this auto-shutoff by taking the tape out of the
camera. If your camera still insists on slumbering,
try leaving its tape door open.
Connect the camcorder to your Mac, launch your soft
-
ware, and you’re ready to go. Here are some possible
destinations.
Toys in motion. For an easy stop-motion project, put
some toys in motion: the Matchbox Car 500. For your
animation stage, choose an area where the lighting is
going to be fairly consistent over several hours. If you’re
relying on light from windows, try to shoot on a cloudy
day. Dramatic variations in lighting from one frame to
the next will ruin the illusion of motion.
spread M29
iMovie HD: Making Movies
Creating Time-lapse Movies and Animation
iMovie HD: Making Movies
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