Apple Logic (1.1) Manuel d'utilisateur Page 96
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96 Chapter B Audio and MIDI in Mac OS X
Please note that you can set an independent level for the alert beep. It is
recommended that you reduce this to the minimum level, or even deactivate alert
beeps entirely, when working on compositions.
Audio MIDI Setup (AMS)
Apple’s Audio MIDI Setup application is integrated into the operating system. It was
introduced in Mac OS X, version 10.2. The AMS application is found in the Applications
> Utilities menu.
Note: You may find it useful to move the AMS application into the Dock.
As AMS mirrors the parameters of the Sound preference pane (except for Sound Effects),
it should be used for almost all adjustments that you wish to make to your audio
interface settings.
The AMS application is useful for selecting a default setting for your Core Audio
hardware. You will require this “default” setting for all audio applications (iTunes, for
example) that are incapable of directly selecting a setting. For more capable audio
applications, such as Logic, it is possible to set all parameters from within the host itself.
Note: The appearance of the AMS application may vary, dependent on the version of
Mac OS X in use.
- Getting Started 1
- With Logic 1
- Contents 3
- An Introduction to Logic 5
- About This Guide 6
- Conventions of This Guide… 7
- 8 Preface 8
- An Introduction to Logic 8
- Setting Up Logic 9
- Connecting Audio 10
- Templates 11
- The Logic Setup Assistant 11
- Autoload Song 12
- Getting Started With Logic 13
- 14 Chapter 2 14
- Chapter 2 15
- Getting Started With Logic 15
- 16 Chapter 2 16
- Tracks and Regions 17
- Reorganizing Your Tracks 18
- The Arrange Area 19
- Parameters Area 20
- The Toolbox 21
- • left-click 22
- • Command-click 22
- • right-click 22
- Key Commands 28
- Navigating the Song 31
- Transport Key Commands 32
- Display Current Song Position 34
- Cycle Mode 34
- Selecting and Soloing 35
- Editing Regions 37
- Moving Regions 38
- Undo/Redo 39
- Copying Regions 40
- Cutting Regions 40
- The Loop Browser 42
- MIDI Regions 45
- Quantize 46
- MIDI Recording 47
- 48 Chapter 5 MIDI Regions 48
- Saving the Song 49
- MIDI Event Editing 49
- The Matrix Editor 50
- Chapter 5 MIDI Regions 51 51
- 52 Chapter 5 MIDI Regions 52
- The Event List 53
- The Hyper Editor 54
- The Transform Window 55
- Audio Regions 57
- 58 Chapter 6 Audio Regions 58
- Sample Editor 59
- 60 Chapter 6 Audio Regions 60
- The Audio Window 61
- 62 Chapter 6 Audio Regions 62
- Chapter 6 Audio Regions 63 63
- 64 Chapter 6 Audio Regions 64
- Track Mixer 65
- Various Audio Objects 66
- Creating Audio Objects 68
- Using the Mixer and Plug-ins 70
- Using the Channel Equalizer 71
- Inserting Audio Effects 73
- Channel Strip Setting 74
- Settings pull-down menu 75
- Channel or Bus Effect? 76
- Automated Mixing 77
- Editing Automation Data 78
- • Non-linear means curved 79
- Bounce—the Final Mix 80
- The Environment Concept 83
- External Control 85
- Audio and MIDI Basics 87
- The MIDI Connection 88
- MIDI Channels 89
- Digital and Analog Recording 90
- Digital Conversions 91
- About Bits and Sampling Rates 91
- About File Formats 92
- Audio and MIDI in Mac OS X 95
- Audio MIDI Setup (AMS) 96
- Core MIDI 97
- Connecting Logic to a Mixer 99
- Mixing Desk With Sub Groups 102
- Software Monitoring Function 102
- 103 103
- Troubleshooting 105
- If Disaster Strikes… 106
- Glossary 111
- 112 Glossary 112
- Glossary 113 113
- 114 Glossary 114
- Glossary 115 115
- 116 Glossary 116
- Glossary 117 117
- 118 Glossary 118
- Glossary 119 119
- 120 Glossary 120
- Glossary 121 121
- 122 Glossary 122
- Glossary 123 123
- 124 Glossary 124
- Glossary 125 125
- 126 Glossary 126
- Glossary 127 127
- 128 Glossary 128
- 130 Index 130
- Index 131 131
- 132 Index 132
- Index 133 133
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