Apple Final Cut Studio Spécifications télécharger pdf (Page 75)

• “Include render files” checkbox: Off

• “Set sequences to” pop-up menu: Typically, you should choose the sequence setting that

corresponds to the format of the media you’ll be recapturing.

• “Include master clips outside selection” checkbox: Off

• “Delete unused media from duplicated items” checkbox: On

• Use Handles checkbox: This setting is optional, although having 1-second or 2-second

handles is always a good idea to prepare for possible last-minute adjustments.

• “Include affiliate clips outside selection” checkbox: Off

• “Base media file names on” pop-up menu: Existing file names

• “Duplicate selected items and place into a new project” checkbox: This setting is also

optional.

• “Include nonactive multiclip angles” checkbox: Off

Stage 3: Choosing Appropriate Capture Settings, Clip Settings, and Scratch Disks in

the Log and Capture Window

When you’re ready to recapture your media, Control-click the new offline sequence that’s

been created, then choose Batch Capture from the shortcut menu. When the Log and

Capture window appears, specify the appropriate settings in the Capture Settings and

Clip Settings tabs to make sure that you capture your media appropriately. When you’re

ready, proceed with the capture, inserting each tape reel as Final Cut Pro requests it.

For more information, see the Final Cut Pro documentation.

Reconforming via Telecine Retransfer

If the media you used for the offline edit was transferred at less than optimum quality

via an inexpensive one-light transfer, you need to retransfer the clips used in your sequence

at higher quality so you can create the final master. To do this, you use the Export

Cinema Tools Film Lists command in Final Cut Pro to export the information that will be

used to retransfer the shots used in the edit. When you give this information to the transfer

facility, the telecine operator can do a best-light or safety transfer of your selects onto

new tapes with matching timecode, which you then reingest for finishing.

Whenever you work with another facility, it’s best to discuss your workflow and the

facility’s needs in advance, to make sure you’re able to provide everything that’s required.

75Chapter 5 Finishing

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Apple Final Cut Studio Spécifications Page 75