Apple Final Cut Studio Spécifications télécharger pdf (Page 76)

Stage 1: Preparing Your Sequence to Export a Pull List

There are a few things you can do to better organize your sequence in preparation for

exporting a film list for retransferring and reconforming your program.

• Manually remove unused clips from your sequence: Time is money during a film-to-tape

transfer session, and the fewer shots you have to transfer, the faster the transfer will

go. One easy way you can facilitate this process is to move all video clips that aren’t

being superimposed as part of an effect or compositing operation down to track V1.

This action overwrites any hidden video items that appear underneath clips on higher

video tracks (either partially or completely) that aren’t really part of the edit. To make

sure that all video items in the topmost video tracks correctly overwrite the hidden

parts of clips in lower video tracks, move them down one track at a time; for example,

move any noncomposited items in track V4 down to V3, then move all noncomposited

items in track V3 down to V2, and finally move all of the noncomposited items in track

V2 to V1. This process also nicely organizes the sequence for color correction later.

• Do not use the Media Manager to rename or remove unused media: Although it’s a good

idea to manually remove unused media from the Timeline, do not use the Media

Manager to either rename or delete unused media in your project. If you do, you’ll lose

the ability to export accurate pull lists from Final Cut Pro or Cinema Tools.

• Organize clips that aren’t deliberately superimposed using the fewest possible tracks: The

various film lists that you can export can consist of only one track. This is another reason

to move all clips that aren’t being superimposed as part of an effect or compositing

operation down to track V1. Don’t worry if your sequence has many superimposed

clips; each track can be exported as a separate list. Organizing all superimposed clips

in as few video tracks as possible minimizes the number of lists you need to export.

• Move all video clips that didn’t originally come from film to a separate video track: To keep

your exported film lists tidy, it’s best to move all clips that didn’t originate from film to

another video track so that they remain in the Timeline but are excluded from the

exported list. This includes generators, still images, and imported motion graphics and

animation clips that were created in other applications like Motion. This also includes

clips that were transferred from film that are embedded inside Motion project clips

(with the file extension .motn), because these won’t show up in exported film lists.

If you used transferred film clips inside Motion projects and the clips need to be

retransferred, you should also provide a separate list of these clips. You’ll use this list

to retransfer those clips so the composites can be re-created with higher-quality media.

Stage 2: Exporting a Pull List to Give to the Transfer Facility

After you organize your edited sequence, use the Export Cinema Tools Film Lists command

to create a pull list to provide to the facility doing the film transfer. Make sure to ask in

advance what information the facility requires in order to accurately retransfer the shots

you need to match the clips that made the final cut.

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Apple Final Cut Studio Spécifications Page 76