Apple D3423Z/A Fiche technique télécharger pdf (Page 17)

Product Overview

Shake 4

Visual E∂ ects Workﬂ ows

Shake 4 meets the needs of the most demanding workﬂ ows for ﬁ lm, television, and

commercial post-production. The following descriptions detail Shake 4 workﬂ ows for

the typical production environments, including:

• Commercial post-production

• Feature ﬁ lm production

• Visual e∂ ects boutiques

• Animation houses

Commercial Post-Production

Commercial post houses are the backbone of post-production, focusing on short-

format televised content like commercials, music videos, and infomercials.

Commercial television projects demand that every part of a project—from editorial

to animation and visual e∂ ects—be created with fast turnaround and high quality,

sparing no expense. But while advertisers are paying less these days, commercial post-

production companies are expected to deliver more. Post-production facilities need

solutions that deliver top-quality visual e∂ ects, unique new looks, and fast results.

Shake 4 is an ideal solution for augmenting the huge hardware investments already

in place in these facilities. It includes production-proven tools like Primatte and

Keylight for creating high-quality keys, which can then be ﬁ nished in Final Cut Pro 5

or a hardware-based ﬁ nishing system. Shake 4 o∂ ers signiﬁ cantly higher quality

than hardware-based systems for common compositing tasks like warping, resizing,

retiming, and creating multilayered comps. The integration with Final Cut Pro 5 makes

Shake 4 even more attractive to post houses looking for a ﬂ exible high-quality editing

and e∂ ects solution.

Typical workﬂ ow for post-production facilities

1 Shoot/create content.

2 Edit with Final Cut Pro 5.

3 Generate CG elements and animations in a 3D application like Luxology modo.

4 Send Final Cut Pro 5 edits and layers to Shake 4.

5 Composite live action and CGI elements in Shake 4.

6 Go back to Final Cut Pro 5 for ﬁ nishing.

7 Output to video, DVD, or the web.

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Apple D3423Z/A Fiche technique Page 17